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The

Beautiful

and highly expressive legato of Trombetta’s soprano was Dramatic

and

Touching.

Her account of 'In Trituna' was absolutely ravishing as she nailed the ascent up to a high D in 'Dulcissime.'

- The Roanoke Times on

Orff's Carmina Burana, 2016

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Soprano Adelaide Muir Trombetta,

... a Metropolitan Opera Auditions finalist, was

Fearless

in her

Vivid

renderings of [Konstanze's] arias.

...

Sweet purity of tone and a cleanness and accuracy to her vocal ornamentation that was a delight to hear.

- The Roanoke Times on

Mozart's Abduction, 2014

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Perhaps the finest of them all was Trombetta, whose

Clear

but

Warm

soprano blossomed as she went into her high register. She easily dispatched the tricky runs in the aria 'Rejoice greatly' and provided a ringing high C at the end of her cadenza.

- The Roanoke Times on

Handels's Messiah, 2018

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